{"title":"Philosophy and Practice of Photography","description":"\u003cp\u003eRethinking the role and expression of images.\u003c\/p\u003e","products":[{"product_id":"negatives-scans","title":"Negatives: Scans","description":"\u003cp\u003eXu Yong (b. China, 1954; lives and works in Beijing, China) makes art that scrutinizes the photographic medium and its documentary variants and interpretations. An autodidact with a background in advertising, the artist is fascinated by the influence that images have on our collective memories. In 1989, a 35-year-old Yong joined the protesters on Tiananmen Square and used his camera to record the events on celluloid. The publication Negatives: Scans is the second series he presents in the form of unprocessed film. As in the earlier Negatives series, released in 2014, Yong uncovers a censored history, testing the hypothesis that the photographic negative—a preliminary stage on the way to the photograph properly speaking—provides more cogent evidence than analog or digital photography. This focus makes his compilation of documentary pictures an analytical study in the power of images and their ability to shed light on cultural taboos and historical amnesia. With essays by Gérard A. Goodrow and Shu Yang.\u003c\/p\u003e\n\u003cp\u003ePages: 136\u003cbr\u003eDimensions: 260 x 340 mm \/ 10.2 × 13.4”\u003cbr\u003eLanguage: German, English\u003cbr\u003eBinding: Hardcover\u003cbr\u003eYear: 2019\u003cbr\u003ePublisher: Distanz\u003c\/p\u003e","brand":"Distanz","offers":[{"title":"Default Title","offer_id":31827259326549,"sku":"DZNS195","price":6600.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_7f8909b9-6926-44cf-a21e-99f21a7a6471.jpg?v=1583318815"},{"product_id":"the-book-of-images","title":"The Book of Images: An Illustrated Dictionary of Visual Experiences","description":"\u003cp\u003eThis \"Book of Images\" comes as a true storm, full of ideas on how to think differently about photography and context. How can they blend in with each other, enhance each other or clash with each other? This is a unique dictionary of visual experiences featuring more than 250 artists such as John Baldessari, JR, Christian Marclay, Daido Moriyama, Martin Parr and Cindy Sherman.\u003c\/p\u003e\n\u003cp\u003ePages: 400\u003cbr\u003eDimensions: 230 × 320 mm\u003cbr\u003eBinding: Hardcover\u003cbr\u003eYear: 2019\u003cbr\u003eDesign: Nicolas Polli\u003cbr\u003ePublisher: Walther König\u003c\/p\u003e","brand":"Walther König","offers":[{"title":"Default Title","offer_id":32879214264405,"sku":"WKTB313","price":10230.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_b49f3fe2-c40d-4072-b875-3fefc3e06a55.jpg?v=1605695394"},{"product_id":"trigger-02","title":"Trigger #02 Uncertainty","description":"\u003cp\u003eThis issue explores the possibilities that arise when uncertainty is considered at the centre of documentary photographic practice. Documentary is based on conjecture rather than knowledge, but it is only when this is embraced as the genre’s essence that decentralised and polycentric results can emerge. Uncertainty and the speculative can push the idea of representation through documentary to new levels of experimentation, doubt, and questioning in both form and content. The more than 20 contributions to this issue offer proposals for the document’s new uncertain potentials, whether as life-giving fiction, allegory, or pre-enactment, or even the anti-documentary as care aesthetics.\u003c\/p\u003e\n\u003cp\u003ePages: 96\u003cbr\u003eDimensions: 240 × 320 mm\u003cbr\u003eBinding: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2020\u003cbr\u003ePublisher: Fw Books \/ Fomu\u003c\/p\u003e","brand":"Fw: Books \/ Fomu","offers":[{"title":"Default Title","offer_id":32954023444565,"sku":"FWTR359","price":3520.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_29bd3065-0607-4502-b14e-778b0773ee15.jpg?v=1610874334"},{"product_id":"new-deal","title":"Jürgen Beck: New Deal","description":"\u003cp\u003eJürgen Beck’s book is a glancing portrayal of this most-filmed of cities. Yet instead of resorting to the familiar, this series of photographs straddles time to capture the city through certain historical contradictions, illuminated and expounded by two essays from architect Wendy Gilmartin, and art historian David Misteli.\u003c\/p\u003e\n\u003cp\u003eIt considers how to evoke the myriad ironies of time passing that the cityscape embodies. Complex fabrics of old hope and new failure, old failure and new hope. Nothing ever turns out the way it was supposed to. We start in the light. That famous LA light that gave birth to an industry is there in the not-quite whiteness of the cover’s uncanny glow. Drawling through traffic, a word-dense landscape that preys on the car-bound with advertising slogans promising this deal or that one. Please do not disembark your vehicle here.\u003c\/p\u003e\n\u003cp\u003eInterspersed with this street-view safari are eight images of the interior of the Bullocks Wilshire building. A cathedral of commerce that opened in 1929 and unwittingly morphed simultaneously into a golden calf. Designed to peddle high luxury to new money, with marble hallways built to flatter the acoustics of well-heeled feet. It opened its doors as the cash crashed. Capitalism’s first great falter exposed the failed promise of endless purchasing power and was a milestone on the way to better social security.\u003c\/p\u003e\n\u003cp\u003eThe building is present here only in exquisite swatches. We appreciate its extravagance better through small spoonfuls of rich creams and duck egg greens, geometric carpets and chevrons of rosewood veneer. Unlike the light-bleed of the exterior spreads, the interior photographs are framed by a display-case darkness, not black so much as the colour of shadows, the colour of a noir film, characterised by the same elegant nihilism. The silence and poise of this well-preserved interior is contrapuntal to the hazy uncurated din of present day Los Angeles where social security is again so clearly lacking.\u003c\/p\u003e\n\u003cp\u003eNew Deal then is both the new deal and a new deal. One was an earnest promise, in the wake of the Great Crash in 1929, the other is emblematic of the logic of late capitalism—which is no kind of logic really—where everything is new and everything is a deal until, like the Bullocks Wilshire, we realise there is nothing left to sell.\u003c\/p\u003e\n\u003cp\u003eLeila Peacock\u003c\/p\u003e\n\u003cp\u003ePages: 64\u003cbr\u003eDimensions: 245 × 320 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English\u003cbr\u003eDesign: Samuel Bänziger, Rosario Florio, Larissa Kasper\u003cbr\u003ePublisher: Jungle Books\u003c\/p\u003e","brand":"Jungle Books","offers":[{"title":"Default Title","offer_id":39486452596821,"sku":"JBJB468","price":4290.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_503933f1-def9-4edc-8cd8-bc7a10efd2b3.jpg?v=1628234115"},{"product_id":"what-they-saw-historical-photobooks-by-women-1843-1999","title":"What They Saw: Historical Photobooks By Women, 1843-1999","description":"\u003cp\u003eBy presenting a diverse geographic and ethnic selection, this anthology interprets the concept of the photobook in the broadest sense possible. From classic bound books and portfolios, to unpublished works, zines, and scrapbooks, it documents well-known publications, such as Germaine Krull’s ‘Métal’ (1928) and ‘Diane Arbus: An Aperture Monograph’ (1972), and relatively unknown items, like Eslanda Cardozo Goode Robeson’s ‘African Journey’ (1945) and Eiko Yamazawa’s ‘Far and Near’ (1962). 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Swiss media artist Stefan Karrer approaches this place through its photographic reception on social media platforms, and in doing so he has tracked down a comedy of errors:\u003c\/p\u003e\n\u003cp\u003eOn October 6th 2020, Instagram celebrated its 10 year anniversary. Shortly after the social photo sharing app was launched in October 2010, Calypso's Cave on the Maltese island of Gozo was closed off to the public after a partial collapse due to geological movement. While the “stabilisation and conservation project” announced by the Ministry of Gozo is still awaiting completion, the cave on the opposite side of the bay has become increasingly popular amongst the social media community – and is now also being tagged – as #calypsocave.\u003c\/p\u003e\n\u003cp\u003eStefan Karrer's book humorously shows us how social platforms influence and change our travels and the way we consume landscape and its cultural heritage.\u003c\/p\u003e\n\u003cp\u003eAbout the artist: Born in 1981, Basel; lives in Vienna. His work explores evolving patterns of meaning found in a digitized world.\u003c\/p\u003e\n\u003cp\u003ePages: 224\u003cbr\u003eDimensions: 105 × 146 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2021\u003cbr\u003eDesign: Astrid Seme, Studio with Liza Borovskaya-Brodskaya\u003cbr\u003ePublisher: Mark Pezinger Books\u003c\/p\u003e","brand":"Mark Pezinger Books","offers":[{"title":"Default Title","offer_id":40017333190741,"sku":"MPSC630","price":2310.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_144f01b6-f170-4ac1-85f1-92006559fcb7.jpg?v=1650445313"},{"product_id":"heider-horak-rastl-rohrauer-photography-as-motif","title":"Caroline Heider, Ruth Horak, Lisa Rastl, Claudia Rohrauer: Photography as Motif","description":"\u003cp\u003eFotografie als Motiv \/ Photography as Motif is an artists’ book, a work of photographic theory, and a practical handbook of photography all in one volume. The publication presents an exemplary conjunction of the practice of taking photographs and artistic reflection. Three women artists whose careers each began with professional training in photography (Lisa Rastl and Claudia Rohrauer) or camera (Caroline Heider) reflect on their craft, their qualifications, their technical and theoretical expertise, and their work on the motif. In short: all the facets of image-generating media in the image.\u003c\/p\u003e\n\u003cp\u003eTexts by Ruth Horak, Ulrike Matzer, Andreas Spiegl, and Franz Thalmair accompany this encounter and continue its story alongside the series of images shown.\u003c\/p\u003e\n\u003cp\u003eIf one repeats the reproduction of the reproduction until the motif disappears behind the act of reproduction, Josef Albers becomes Lisa Rastl. Lisa Rastl applied a total of eight reproduction steps to one of over 2,000 paintings from the series Homage to the Square, which Josef Albers painted between 1950 and 1976 - less to pay homage to the square than to observe the interplay of colors.\u003c\/p\u003e\n\u003cp\u003eThe series METALLIC (From the Core of the Surface) by Claudia Rohrauer deals with the properties of surfaces based on the task of photographing an object made of metal, spanning an arc from the shine as a specific feature of the metal and simultaneous photographic challenge, to the texture of paper surfaces. Within these three cornerstones, however, the relationship that exists between the object photographed and the photographer is also narrated on the basis of a personal experience.\u003c\/p\u003e\n\u003cp\u003eAnd Caroline Heider reflects on the mastery of the technical which is often attributed to the male sphere. 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In a manner similar to the empty claims of marketing, the high-resolution details seem to anticipate and document the incipient decay of the bodies portrayed. It’s as though we were watching the gradual demise of these bodies in the pixel depths and grid depths of their wrinkles, folds and bulges. Disgust and desire conflate in this field of tension. According to the artist, PRIMAL is a “tribute to desire” that seeks to articulate a holistic and openended conception of desire—stripped of classifications and hierarchies. This series thus becomes a photographic appropriation of advertising posters as an act of re-framing, over which looms a nagging question: What role should photography play now, amid the seemingly endless glut of images in the wake of everincreasing digitization?\u003c\/p\u003e\n\u003cp\u003ePages: 156\u003cbr\u003eDimensions: 250 × 358 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2021\u003cbr\u003ePublisher: Edition Patrick Frey\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":40075119886421,"sku":"EPAP638","price":7150.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/products\/1_82515304-0a2d-4391-8ed5-f9821cf56963.jpg?v=1652758126"},{"product_id":"photobooks","title":"Photobooks \u0026","description":"\u003cp\u003ePhotobooks \u0026amp; presents and interrogates key themes of the contemporary photobook — from the medium’s post-digital and post-photographic situation, to the purposes of publishing, issues of accessibility and the act of reading. Informed by extensive research, interviews with key individuals* from the photobook ecology and his experience with The Photobook Club project, Johnstonexamines current trends and practices, emphasising connections (made and missed) between makers and readers. 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Please see below for information on the condition of the book. Please note that returns and exchanges are not possible.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e・Box damaged.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e2020* Magazine is an annual project started in the year 2020 with the idea of creating a yearbook made from different perceptions that represent the moment we are living and leave us a summary of the 20’s decade. Every year, they ask 12 authors from different branches to present their visions about the trends, ideas and feelings for the upcoming year. Each issue is presented in a completely different way, adapting every publication to the moment we’re living and covering a whole decade, from 2020 to 2029.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is not a premonitory issue like the previous ones, but a compilation of ideas about what just happened. 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Whereas digital photography is predominantly used for documentary and everyday purposes, its analog counterpart is becoming increasingly popular as an artistic and experimental medium.\u003c\/p\u003e\n\u003cp\u003eThis catalog showcases the wide variety of contemporary trends in analog photography as exemplified by individual and serial works, as well as photographic installations. Produced by twenty-four artists from German-speaking countries, the works are grouped into four thematic sections that illustrate different facets of this art form, all with a distinct focus on the material and experimental uses of light, chemical ingredients, and technique.\u003c\/p\u003e\n\u003cp\u003eThe publication highlights contemporary takes on photograms, chemigrams, and lumen printing, which all hark bark to the early days of photography. Silver daguerreotypes and ambrotypes of modern-day sceneries create a disturbing anachronistic effect. Yet other artists employ very different forms of photography that go beyond simple cameras.\u003c\/p\u003e\n\u003cp\u003eThe catalog also includes artistic positions that blur the boundaries between analog and digital photography, e.g., by interacting with artificial intelligence, collaborating with digital machines, and transposing digital images into analog pictures.\u003c\/p\u003e\n\u003cp\u003eIncluding works by: Sylvia Ballhause, Eun Sun Cho, Günter Derleth, Jana Dillo, Tine Edel, Alexander Gehring, Spiros Hadjidjanos, Alexander Kadow, Georgia Krawiec, Martin Kreitl, Antje Kröger, Ute Lindner, Lilly Lulay, Harald Mairböck, Florian Merkel, Falk Messerschmidt, Elisabeth Moritz, Taiyo Onorato and Nico Krebs, Helena Petersen, René Schäffer, Karoline Schneider, Regina Stiegeler, Claus Stolz, Ria Wank.\u003c\/p\u003e\n\u003cp\u003ePages: 192\u003cbr\u003eDimensions: 165 × 240 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eLanguage: English, German\u003cbr\u003eYear: 2021\u003cbr\u003ePublisher: Verlag Kettler\u003c\/p\u003e","brand":"Verlag Kettler","offers":[{"title":"Default Title","offer_id":40710369181781,"sku":"VKAP1044","price":11330.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_17721a26-9f95-458b-b83e-2afaced7bb47.jpg?v=1698053693"},{"product_id":"steles-huang-yi-project","title":"Taca Sui: Steles - Huang Yi Project","description":"\u003cp\u003eThe latest body of work collectively titled Steles focuses on the stone steles that have played such a crucial role in the documentation of the history of China. In this case Taca Sui was inspired by the late Qing dynasty imperial bureaucrat Huang Yi (1744 – 1802) who in his leisure time was also a dedicated amateur archaeologist, painter, poet and calligrapher. In the last years of the 18th century he made two trips in which the focus was on documenting steles mainly located in Shandong Province and Henan Province. Through his travel diaries, paintings, and rubbings, he provided an invaluable record of cultural artifacts that otherwise might have disappeared altogether through neglect. In planning his own trips, Taca consulted Huang Yi’s diaries, Diary on Visiting Steles near Mount Song and the Luo River and Diary on Visiting Historical Steles from Jining to Tai’an.\u003c\/p\u003e\n\u003cp\u003eLike Huang Yi 200 years before him, Taca embarked on expeditions to locate traces of the past as preserved in steles but whereas Huang Yi could still identify, describe and catalogue actual examples, Taca had to be satisfied with inscriptions that are largely erased through the passage of time or exist only in fragmentary state. Recognizing the futility of his task, he nonetheless perseveres in preserving whatever he can. At the opposite end of the spectrum from documentary photography, Taca’s images have a forlorn and timeless beauty that are simultaneously totally specific and yet evocative of the relentless passing of time.\u003c\/p\u003e\n\u003cp\u003eTo accomplish this, he uses silver barium sulfide photographic paper which contributes greatly to the effects he wants to convey. As a result of its intrinsic qualities, this type of photographic paper results in elusive images since unless seen from a specific angle, they dissolve into silver reflected light.\u003c\/p\u003e\n\u003cp\u003eTaca is the latest link in a chain that began with Huang Yi when he recorded his discoveries in his diaries and shortly before his death showed his painting to friends when they came to visit him, as well as sending them to Beijing and Hangzhou. Copies of the 400 or so rubbings he made were also widely circulated. 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For thirty years, the New Zealand-born, Australian artist has been collecting other people’s photographs and placing them in his own peculiar categories. To photograph the world is to collect it in the form of images. Pound’s work seems to propose: ‘If only we could find all the pieces, we might solve the puzzle.’ It is a folly, of course.\u003c\/p\u003e\n\u003cp\u003eIn Windows, Pound’s first photobook with Perimeter Editions, we find a cross-section of images lifted from a single category in Pound’s vast collection of 70,000 photographs. Each of the ‘found’ photographs in this new book features a window seen from the outside. We are allowed to look through them, from the privacy of our own homes. We see ghostly figures and happy families; we see actors acting, and everyday folks acting up; we see real and imagined worlds. Every scene is one of a kind. Page after page, we look through other people’s photographs and other people’s windows. 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Photographs that have been taken from their context, and which have lost their initial reason for ‘living’, are remarkably pliable little signs.\u003c\/p\u003e\n\u003cp\u003eIn 2023, these photographs – and this book – remind us of anything from the nuances of human interconnection to the separation of domestic dwellings, with the offering of sanctuary and entrapment nestled together. These images have lost their utility, only to find another more important one. Just when we thought they were past their use-by date, we are pressed to think again.\u003c\/p\u003e\n\u003cp\u003eWindows is a book of photographs worth looking through. 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Many works debuted at this exhibition by artists whose practices reflect contemporary developments in image-making and their consumption. For example, Bruno Zhu touches on gender, nudity, and taboos while Aimée Zito Lema used her own body as a medium. 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Like an album of pop songs about a girl (or a civilization) hovering on the verge of transformation, the book cycles through overlapping themes and counter-themes—moon\/ocean; violence\/tenderness; innocence\/experience; masks\/nakedness—that sparkle with psychic longing and apocalyptic comedy.\u003c\/p\u003e\n\u003cp\u003ePages: 88\u003cbr\u003eDimensions: 190 × 235 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eYear: 2012\u003cbr\u003ePublisher: The Ice Plant\u003c\/p\u003e","brand":"The Ice Plant","offers":[{"title":"Default Title","offer_id":41337036701781,"sku":"TIMD1529","price":6050.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_e659677e-d24a-4f71-a580-cec062e08bd3.jpg?v=1749490706"},{"product_id":"typologien","title":"Typologien: Photography In 20th Century Germany","description":"\u003cp\u003e“Typologien” is an extensive study dedicated to 20th-century German photography. The exhibition, hosted within Podium, the central building of the Milan headquarters, is curated by Susanne Pfeffer, art historian and director of the MUSEUM MMK FÜR MODERNE KUNST, Frankfurt.\u003c\/p\u003e\n\u003cp\u003eThe project attempts to apply the principle of “typology,” which originated in 17th- and 18th-century botany to categorize and study plants, and appeared in photography in the early 1900s, affirming itself in Germany throughout the 20th century. Paradoxically, the given formal principle allows for unexpected convergences of German artists spanning different generations and the manifestation of their individual approaches.\u003c\/p\u003e\n\u003cp\u003eThe exhibition path will follow a typological rather than a chronological order, bringing together more than 600 photographic works by 25 established and lesser-known artists essential for recounting a century of German photography, including Bernd and Hilla Becher, Sibylle Bergemann, Karl Blossfeldt, Ursula Böhmer, Christian Borchert, Margit Emmrich, Hans-Peter Feldmann, Isa Genzken, Andreas Gursky, Candida Höfer, Lotte Jacobi, Jochen Lempert, Simone Nieweg, Sigmar Polke, Gerhard Richter, Heinrich Riebesehl, Thomas Ruff, August Sander, Ursula Schulz-Dornburg, Thomas Struth, Wolfgang Tillmans, Rosemarie Trockel, Umbo (Otto Umbehr), and Marianne Wex.\u003c\/p\u003e\n\u003cp\u003eAs stated by Susanne Pfeffer, “Only through juxtaposition and direct comparison is it possible to find out what is individual and what is universal, what is normative or real. Differences are evidence of the abundance of nature and the imagination of humans: the fern, the cow, the human being, the ear; the bus stop, the water tower, the stereo system, the museum. The typological comparison allows differences and similarities to emerge and the specifics to be grasped. Unknown or previously unperceived things about nature, the animal, or the object, about place and time become visible and recognizable.”\u003c\/p\u003e\n\u003cp\u003eIn photography, employing typologies means affirming an equivalence between images and the absence of hierarchies in terms of represented subjects, motifs, genres, and sources. Despite this, typology remains a highly challenging and complex notion. It operates in a paradoxical regime: on the one hand, this approach can lead to a systematic recording of people and objects based on extreme objectivity; on the other hand, typology corresponds to an individual and arbitrary choice, revealing itself as a disturbing and potentially subversive act. The hypothesis that photography plays a key role not only in fixing distinctive phenomena but also in organizing and classifying a plurality of visible manifestations remains a vital force in today’s artistic efforts to navigate the complexity of our social and cultural realities. With the spread of digital imagery and practices, the concept of typology continues to be questioned and re-defined by contemporary photographers and artists.\u003c\/p\u003e\n\u003cp\u003eAs underlined by Susanne Pfeffer, “The unique, the individual, seems to have been absorbed into a global mass, the universality of things is omnipresent. The Internet allows typologies to be created in a matter of seconds. 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This strictly conceptual book questions our viewing habits and spatial experiences in a fascinating way.\u003c\/p\u003e\n\u003cp\u003ePages: 228\u003cbr\u003eDimensions: 305 × 220 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eYear: 2025\u003cbr\u003eLanguage: English, German\u003cbr\u003eDesign: Helmut Völter\u003cbr\u003ePublisher: Hartmann Books\u003c\/p\u003e","brand":"Hartmann Books","offers":[{"title":"Default Title","offer_id":41746640306261,"sku":"HBUP1630","price":17600.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_7e10eab7-8d04-42d3-9956-327748bfd52f.jpg?v=1760433722"},{"product_id":"early-gaze","title":"Early Gaze: Unseen Photography of the 19th Century","description":"\u003cp\u003eA fascinating journey through the development of 19th century photography.\u003c\/p\u003e\n\u003cp\u003eEarly Gaze provides a fascinating insight into the origins and development of photography in nineteenth-century Belgium. At the time, the technology was the wonder of the age. Presenting never-before-published material, the book uncovers hidden stories and perspectives while also revealing a rich array of subjects. It also demonstrates how the ruling class harnessed photography as a potent instrument of identity and control. From intimate portraits to medical experiments, from art photography to the first mugshots, Early Gaze brings together hundreds of unique images to illuminate how the pioneers of the era sought to capture their world with the camera.\u003c\/p\u003e\n\u003cp\u003eWith numerous unique photos by François Braga, Joseph Pelizzaro, Guillaume Claine, Joseph Ernest Buschmann, Edmond Fierlants, and others.\u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of the eponymous exhibition at FOMU – Fotomuseum Antwerp from 24 October 2025 to 1 March 2026.\u003c\/p\u003e\n\u003cp\u003ePages: 304\u003cbr\u003eDimensions: 230 x 290 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eYear: 2025\u003cbr\u003eLanguage: English, Dutch\u003cbr\u003ePublisher: Hannibal Publishers\u003c\/p\u003e","brand":"Hannibal Books","offers":[{"title":"Default Title","offer_id":41977940934741,"sku":"HPEU1732","price":13860.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_0c4626ef-6fe6-46ab-a380-722e8af28e12.jpg?v=1767674053"},{"product_id":"pieces-of-narratives-le","title":"System of Culture: Pieces of Narratives (Limited Edition, Signed)","description":"\u003cp\u003eA limited edition of 200 copies, featuring a slipcase and a signed, numbered print.\u003c\/p\u003e\n\u003cp\u003eA new release by System of Culture, a Tokyo-based art collective that transcends the boundaries of existing photographic expression and pioneers new realms of contemporary art. This book, Pieces of Narratives, features 31 new works, along with three original short stories and two critical essays, all of them interwoven with the photographs.\u003c\/p\u003e\n\u003cp\u003eThe three short stories are written by contributors renowned in completely different fields: writer Awa Ito, neuroscientist Nobuko Nakano, and artist Rintaro Fuse.\u003c\/p\u003e\n\u003cp\u003eThe essays are written by Lukas Feireiss, a Berlin-based curator and writer, and Jin Qiuyu, a curator and photography specialist from Shanghai, China, who is based in Tokyo.\u003c\/p\u003e\n\u003cp\u003eIn conjunction with the release of the photobook, a solo exhibition, ‘\u003ca href=\"https:\/\/www.mahokubota.com\/en\/exhibitions\/5143\/\" target=\"_blank\" rel=\"noopener\"\u003eExhibit 8 Pieces of Narratives\u003c\/a\u003e’, will be held at the contemporary art gallery ‘Maho Kubota Gallery’ in Jingumae, Shibuya Ward, in November 2025.\u003c\/p\u003e\n\u003cp\u003eSystem of Culture\u003cbr\u003e\u003ca href=\"https:\/\/systemofculture.com\" rel=\"noopener\" target=\"_blank\"\u003esystemofculture.co\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSystem of Culture was founded in 2017 as an art collective by three members. It now continues as the artist name of Toshimitsu Komatsu. Before forming the collective, Komatsu and his peers would meet almost weekly at a late-night family restaurant, casually talking about films, TV dramas, and social media posts. This led them to begin working out of a room in Komatsu’s family home, developing a practice based on still-life photography. Still life painting matured in 16th- and 17th-century Holland as an independent genre and was used as a site of experimentation in expression. System of Culture inherits this lineage, but approaches still life not only as a visual subject but as a framework for thought and cognition.\u003c\/p\u003e\n\u003cp\u003eAt the core of System of Culture’s practice are operations aimed at visualising and making concepts conscious. Photography, in this sense, is the trace of a process that is automatically drawn out from these operations. Komatsu received the Patricia Karallis Award at JAPAN PHOTO AWARD 2021, and was selected for VOCA 2022: The Vision of Contemporary Art – New Flat Artists at The Ueno Royal Museum. Major solo exhibitions include ‘Exhibit 4’ (2022, CALM\u0026amp;PUNK GALLERY) and ‘Exhibit 6’ (2024, parcel). In November 2025, Komatsu will present the solo exhibition ‘Exhibit 8 Pieces of Narratives’ at MAHO KUBOTA GALLERY. Publications include Book 1 (self-published, 2017) and Book 2 (self-published, 2024). In November 2025, the photobook Pieces of Narratives will be published by United Vagabonds.\u003c\/p\u003e\n\u003cp\u003ePages: 80\u003cbr\u003eDimensions: 257 x 364 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eYear: 2025\u003cbr\u003eLanguage: English, Japanese\u003cbr\u003eEditors: Masanobu Sugatsuke, Aleksandra Priimak\u003cbr\u003eText: Lukas Feireiss, Jin Qiuyu, Awa Ito, Nobuko Nakano, Rintaro Fuse\u003cbr\u003eDesign: Osamu Sakuma (Rondade)\u003cbr\u003ePrinting and binding: Live Art Books\u003cbr\u003ePublisher: United Vagabonds\u003c\/p\u003e","brand":"United Vagabonds","offers":[{"title":"Default Title","offer_id":42064426106965,"sku":"UBSP1750","price":22000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_le.jpg?v=1768546234"},{"product_id":"pieces-of-narratives","title":"System of Culture: Pieces of Narratives","description":"\u003cp\u003eA new release by System of Culture, a Tokyo-based art collective that transcends the boundaries of existing photographic expression and pioneers new realms of contemporary art. This book, Pieces of Narratives, features 31 new works, along with three original short stories and two critical essays, all of them interwoven with the photographs.\u003c\/p\u003e\n\u003cp\u003eThe three short stories are written by contributors renowned in completely different fields: writer Awa Ito, neuroscientist Nobuko Nakano, and artist Rintaro Fuse.\u003c\/p\u003e\n\u003cp\u003eThe essays are written by Lukas Feireiss, a Berlin-based curator and writer, and Jin Qiuyu, a curator and photography specialist from Shanghai, China, who is based in Tokyo.\u003c\/p\u003e\n\u003cp\u003eIn conjunction with the release of the photobook, a solo exhibition, ‘\u003ca href=\"https:\/\/www.mahokubota.com\/en\/exhibitions\/5143\/\" target=\"_blank\" rel=\"noopener\"\u003eExhibit 8 Pieces of Narratives\u003c\/a\u003e’, will be held at the contemporary art gallery ‘Maho Kubota Gallery’ in Jingumae, Shibuya Ward, in November 2025.\u003c\/p\u003e\n\u003cp\u003eSystem of Culture\u003cbr\u003e\u003ca href=\"https:\/\/systemofculture.com\" rel=\"noopener\" target=\"_blank\"\u003esystemofculture.co\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSystem of Culture was founded in 2017 as an art collective by three members. It now continues as the artist name of Toshimitsu Komatsu. Before forming the collective, Komatsu and his peers would meet almost weekly at a late-night family restaurant, casually talking about films, TV dramas, and social media posts. This led them to begin working out of a room in Komatsu’s family home, developing a practice based on still-life photography. Still life painting matured in 16th- and 17th-century Holland as an independent genre and was used as a site of experimentation in expression. System of Culture inherits this lineage, but approaches still life not only as a visual subject but as a framework for thought and cognition.\u003c\/p\u003e\n\u003cp\u003eAt the core of System of Culture’s practice are operations aimed at visualising and making concepts conscious. Photography, in this sense, is the trace of a process that is automatically drawn out from these operations. Komatsu received the Patricia Karallis Award at JAPAN PHOTO AWARD 2021, and was selected for VOCA 2022: The Vision of Contemporary Art – New Flat Artists at The Ueno Royal Museum. Major solo exhibitions include ‘Exhibit 4’ (2022, CALM\u0026amp;PUNK GALLERY) and ‘Exhibit 6’ (2024, parcel). In November 2025, Komatsu will present the solo exhibition ‘Exhibit 8 Pieces of Narratives’ at MAHO KUBOTA GALLERY. Publications include Book 1 (self-published, 2017) and Book 2 (self-published, 2024). In November 2025, the photobook Pieces of Narratives will be published by United Vagabonds.\u003c\/p\u003e\n\u003cp\u003ePages: 80\u003cbr\u003eDimensions: 257 x 364 mm\u003cbr\u003eFormat: Hardcover\u003cbr\u003eYear: 2025\u003cbr\u003eLanguage: English, Japanese\u003cbr\u003eEditors: Masanobu Sugatsuke, Aleksandra Priimak\u003cbr\u003eText: Lukas Feireiss, Jin Qiuyu, Awa Ito, Nobuko Nakano, Rintaro Fuse\u003cbr\u003eDesign: Osamu Sakuma (Rondade)\u003cbr\u003ePrinting and binding: Live Art Books\u003cbr\u003ePublisher: United Vagabonds\u003c\/p\u003e","brand":"United Vagabonds","offers":[{"title":"Default Title","offer_id":42064426139733,"sku":"UBSP1751","price":7700.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_52f32fb5-d34b-43c0-bcd3-7ab7ee7adbf2.jpg?v=1768546076"},{"product_id":"hidden-collections","title":"Giorgio Di Noto: Hidden Collections","description":"\u003cp\u003eGiorgio Di Noto explores photography as an unstable and ambiguous medium, suspended between documentation and invention. His latest project delves into the storage rooms, conservation labs and photographic archives of the Museo Nazionale Romano, places that preserve the past rather than display it. Engaging with ancient sculptures, mosaics, frescoes and everyday objects, as well as historical photographic materials, Di Noto reveals how images both record and reshape what they depict. His work uncovers the hidden manipulations that isolate artifacts by erasing their surroundings, turning visibility into an act of subtraction. In his hands, the document becomes an artifact, technical intervention becomes creative gesture and the archive becomes a site of reinvention. Di Noto reminds us that archaeology, like photography, is never neutral. Every image is a choice, a construction and a process that continues to change over time.\u003c\/p\u003e\n\u003cp\u003ePages: 192\u003cbr\u003eDimensions: 220 x 280 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eYear: 2026\u003cbr\u003eLanguage: English, Italian\u003cbr\u003ePublisher: Quodlibet\u003c\/p\u003e","brand":"Quodlibet","offers":[{"title":"Default Title","offer_id":42224166764629,"sku":"QUGH1797","price":7700.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_dcdc1dda-51f5-4993-94e3-4b93101df51e.jpg?v=1774257225"},{"product_id":"sit-site-chair-cherry","title":"Aleix Plademunt: Sit, site, chair, cherry","description":"\u003cp\u003ePhotographer Aleix Plademunt is a photo-book alchemist. Working with a host of very different images, he creates a picture that is whole and complete. In his photo book Matter, which was published by Spector Books in 2022 and has won multiple awards, he moves between microcosm and macrocosm, between the sun and tiny particles of matter. Now, in Campus, he focuses on the Vitra Campus in Weil am Rhein, not far from Basel. Vitra is a project with many different facets and layers: a Swiss furniture company, a campus with buildings by important contemporary architects, including Frank Gehry, Zaha Hadid, Tadao Ando, and Álvaro Siza, a museum—the Vitra Design Museum—furniture collections, design and architecture estates and archives, gardens, publications, and people. Aleix Plademunt’s Campus combines all these motifs, supplemented by a number of historical photographs, to create an image of a place where you can sense the meaning and importance of design—as utopia and as everyday work.\u003c\/p\u003e\n\u003cp\u003ePages: 496\u003cbr\u003eDimensions: 210 x 270 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: English\u003cbr\u003eYear: 2025\u003cbr\u003ePublisher: Spector Books\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":42390346924117,"sku":"SBAS1816","price":12100.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_f56ded56-b82e-4155-a16f-ec5dfdf53426.jpg?v=1776397479"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/collections\/1_a81010b8-be87-4947-937a-2330426adc4b.jpg?v=1774763067","url":"https:\/\/www.northeastshop.jp\/en\/collections\/philosophy-and-practice-of-photography.oembed","provider":"North East","version":"1.0","type":"link"}