{"title":"Architecture and Society","description":"\u003cp\u003eExploring culture and society through architecture.\u003c\/p\u003e","products":[{"product_id":"living-the-city","title":"Living the City: Of Cities, People and Stories","description":"\u003cp\u003eCities are full of stories—running in parallel, contradictory, overlapping and inseparably linked. Such stories are told in Living the City by referencing various projects from architecture, art, and urban planning. The book aims to show processes and possibilities for action in cities based on more than fifty projects from all over Europe. The publication first looks at urbanites before expanding into emotionally and poetically charged stories that consider very basic activities such as loving, living, moving, working, learning, playing, dreaming, and participating in the city. The book is being published in conjunction with the exhibition of the same name at the former airport in Tempelhof, Berlin, which runs from September to November 2020.\u003c\/p\u003e\n\u003cp\u003eWith works by Assemble, ateliermob, Ila Bêka \u0026amp; Louise Lemoine, Civic Architects, Crimson Historians and Urbanists, Eutropian, Larissa Fassler, Jeppe Hein, Thomas Hirschhorn,Lacaton \u0026amp; Vassal, No Shade, Olalekan Jeyifous, Ahmet Öğüt, Planbude, raumlaborberlin, Rotor DC, The Black Archives, White Arkitekter, Zones Urbaines Sensibles, and many more.\u003c\/p\u003e\n\u003cp\u003eLukas Feireiss works as a curator, writer, and art director in the international mediation of contemporary cultural reflexivity beyond disciplinary boundaries.\u003c\/p\u003e\n\u003cp\u003eTatjana Schneider is professor for history and theory of architecture and the city at the Department of Architecture, Technische Universität Braunschweig.\u003c\/p\u003e\n\u003cp\u003eStudio TheGreenEyl is a design and research practice based in Berlin and New York. 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In a seemingly random sequence, the images jump from continent to continent, from interior to exterior spaces, from era to era, from postmodernism to dilapidated buildings and back again to urban megalomania made out of concrete, steel, and glass. In the constantly changing rhythm of images merging subtly into one another, transnational and transcultural motifs, themes, and urban topographies are revealed on page after page. In this “song” that Zanta invokes, the cities depicted merge into a single stream of consciousness, a global space that ranges from promising utopia to late capitalist nightmare.\u003c\/p\u003e\n\u003cp\u003eMarco Zanta (*1962) is one of Italy‘s best-known architectural photographers. Since the 1980s he has been exploring how urban and industrial space can be depicted photographically. In addition he has also worked for renowned architectural firms such as John Pawson Studio, Afra e Tobia Scarpa, and Tadao Ando. 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References to the night in Vitruvius' De architectura are residual; they are similarly scarce in the most influential Renaissance treatises by Alberti or Palladio. It was not until the nineteenth and twentieth centuries that the invention and institutionalization of electric light in private and public spaces gradually transformed the agency of night in the architectural discipline. This book is a chronological first attempt at A Nocturnal History of Architecture, an epic journey through more than 2000 years of entanglements between night and space design across different continents and geographies. From the elusive darkness of Greek temples to the constantly illuminated American suburbia, and from the presence of the moon in classic Japanese aesthetics to the architecture of Italian nightclubs in the twentieth century, what emerges from these studies is how the identity of human beings across time and their domestic, professional, and cultural spaces are inseparable from the night. 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Please see below for information on the condition of the book. Please note that returns and exchanges are not possible.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e・Used for display purposes\u003c\/p\u003e\n\u003cp\u003eIn 2023, Gothenburg celebrated its 400th anniversary. At the same time, a new cityscape emerged. This architecture can be compared to that completed during the city’s previous anniversary in 1923. It can also be related to a longer tradition of buildings constructed in connection with anniversaries and world exhibitions.\u003c\/p\u003e\n\u003cp\u003eFrom this perspective, sociologist Karl Palmås and photographer Kalle Sanner explore Gothenburg’s built environment. In a survey that includes film, photography, and text, they trace the visions of the future that underpin the city’s new buildings. 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Sanner has previously worked as Head of Unit for Film, Photography, and Literary Composition at HDK-Valand and is currently the Executive Director of the Hasselblad Foundation.\u003c\/p\u003e\n\u003cp\u003ePages: 112\u003cbr\u003eDimensions: 138 x 210 mm\u003cbr\u003eFormat: Softcover\u003cbr\u003eLanguage: Swedish\u003cbr\u003eYear: 2024\u003cbr\u003ePublisher: LL’Editions\u003c\/p\u003e","brand":"LL’Editions","offers":[{"title":"Default Title","offer_id":41906432049237,"sku":"SLLLVT52","price":3850.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0491\/5749\/files\/1_3221b595-7bfd-4462-9a03-c13349cd9d7e.jpg?v=1744107220"},{"product_id":"public-spaces-ny","title":"Public Spaces, NY","description":"\u003cp\u003eThere are no perfect public spaces. Public space is constantly changing, shifting, never quite fixed. It is formed by laws, by regulations, by private ownership, and by city management. 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